big house tune incl crashing tom novy mix and dave spoon tool mix!! omg! what a tune!

this ep is rock solid from top to bottom. rock. solid. even rhythm plate say this is their best ever release. this means - 4 tracks of burning, pumping, forward-thinking house music. every track on this ep is a killer tune, whether it s dark warehouse soul, throbbing deep house or early 80s disco dub. silence is sounds like dfa playing at a berlin warehouse rave. techno, live bass and wild vocals - crazy anthem. hard times is tight, heavyweight house which will tear the roof off when played in a sweaty club. remember the days is an instant dancefloor-filler with life-affirming rubbery bass movements and warm squidgy chords. node out is stripped-down underground disco dub with chunky 80s beats and jiggy piano stabs. absolute winner

nudisco are ready for take off rock im puls! there latest remix for trentemoeller will be soon released on pokerflat. but first we caught them for karatemusik these guys are hot

sucker djs, ben macklin & stretch sylvester debut on toolroom with the epic firework. a huge slice of bassline driven bliss topped off with the explosive vocals of tiger lily. mk & mtv team up again with a deep and twisted take on the original oozing with the duos trademark talent for that big room sound.the package is rounded off with a monstrous dub essential

support by chloe & jennifer cardini !! actually, a tragic fact that the two label owners of sub static never enriched the own catalogue with a cooperation, but then again, there was no time, passion, and maybe also the right tracks hadn t come yet. now we found them, the ideal components, and thus this split- ep succeeds to involve both sides of the same medallion in an extremely animated conversation, which also the party benefits from. a real brocksieper starts off the record, with that slinky, permanent groove which everyone likes to ride on, as it s making you look well on the floors which signify the world. then the flipside laxly continues where just hopped, speak: a little bell rings, the beats pose, the shiny side always in the floodlight. however, the mood changes - functionality mutates to emotiveness, the music floats differently. this can only be m.i.a., who still disassembles sounds with never known precision, gets ideas in order, simply generates funk. so the tone is given for the next techno season, thanks for that

the makers of the capital of quality techouse that is constantly changing, expanding, relocating and restructuring itself, are entering futuristic territories, recalling some of the finest moments of the present before setting off into the future...

farina and sneak heads will recognize the a side s >does not compute< after dropping it in literally every set they ve played in the last six months. miles maeda s rework is deep and twisted and definitely peak time material. b side features >jazzin< a sweet groover perfect for the deep house heads. lil mark reworks the track with a tougher approach: fat kicks, skippy hats and delayed horns round off the ep nicely

two slammin instrumentals from mr. ferrer grace this new double a sided ep of tracks from his forthcoming full length. this ep again showcases dennis diversity and distinct ability to go from uplifting spiritual deepness to hot,underground, deep, danceable, head nodding tech. >transitions< has that repititive synthy bassline with latin claps and afro styled percussion and gargled vocal sample. >destination< starts off with slapping rhythms, adds strings and middle eastern flavors then throws in parisian styled accordions. he meticulously assembles all these sounds and creates a smooth seamless boundary defying sound

it has been over four years since koops last album waltz for koop was released. today the record is still considered their breakthrough record because it sold over 160.000 units worldwide. the critics and fans were raving about the band and even the legendary director woody allen fell for the stockholm based duo and featured their hit single waltz for koop in his film match point. on their new album called koop islands they take us back in time on a enchanting journey into the era of swing orchestras and jazz crooners spiced with some exotic mento, calypso and chanson elements.the first 12 features three nice reworks done by some of swedens finest producers in club sound. markus enochsons transforms i see a different you into one of his trademark deep house tunes while hird puts the vibraphone scented ballad koop island blues into a completly new context by creating a slow rolling dub mix. tiger stripes picks up the pop appeal of the album and delivers a sunny house version of lets elope a perfect radio tune!watch out for a second 12“ coming up on compost records with more fresh remixes by beanfield, alif tree and the innocent sorcerers

this is the second 12 inch taken from the latest album of this boy wonder. more insane action music for excessive parties with mad melodies, tweaked and off killer basses and killer arrangements..

and here is the kitsuné maison 3 compilation dlp. kitsuné means >fox< in japanese. this compilation could have been called >lair<. put the records on your decks, try to restrain from playing it too loud, thanks for the neighbours..

the third release on true to form recordings comes from parisian producer mikael weill. here mikael starts off with the title track >silmarions<, which glitches and grooves with a warm kick, plenty of inviting keys and stabs programmed into mix

one of the biggest tracks from 2006 getting a fresh set of remixs courtesy of some serious chicago house all stars. green velvet s -shake and pop- blew up dancefloors worldwide with its cool vocals, and now this ep features some real funky dancefloor pleasers. mark grant sets it off with a vocal and dub mix that highlight the vocal and the quirky electro bass funk from the original. meanwhile the big poppa dj sneak turns in a jacked up mix that focuses nicely on the vocal from the original. some very hot dancefloor material, don t sleep on this one

back by popular demand.. the extra long parallax version of this classic masterwork. also iro and lift off (album mix)

extremely hot electronic house shockere a bit in the line of david guetta vs the egg! i can see the guys jumpin off bridges in my mind

just need music is an uplifting production with a dark and dirty groove with an overall fresh sound. kemist has used weird sound effects and elements very creatively.the message equals the title of the track and one can say that it comes from his heart. jaimys remix on the flip starts off with a tribal rhythm and builds up to a very energetic uplifting tribal progressive tune with some old skool house flavors.kemist has released tracks on labels such as hooj choons, low pressings, tommy boy, j records, jellybean, lajja recordings, fatal music and tweekd.

starting off with lead track ,head converter, luke gets up behind the mike with a bomb blast of electro and drums hailing his new bands direction.

4 fetter electrohouse Überhits auf einer 12inch !! das nenn ich preis leistungs verhältnis...

label boss parr grinvik present a brand-new talent with the 6th release on the respected stockholm limited label. with the last production which came from his very own hand the label is once again put back on the global map and the buzz around these swedish minimal grooves is stronger than ever. s. linzatti is one of those promising talents and starts off with a superb piece of craftsmanship. his amazing moving grooves are remixed by the dynamic duo from the states, tim xavier and tony rohr aka the afternoon coffee boys.

first remix features rick preston and dtc doing a deep house rework. the infectious groove is set off with crisp percussion, bubbly washes, electric guitar riff and chopped up vocaleffected into heady subliminal hooks. sunny guitar sols, warm chord progressions and timely effects round out the cut. trademarqs approach on their mix is a bit left of cente as they twist and mangle the original. they stretch and deform a few key parts into a truly unique cut. a cutting edge sound with shuffling and jacking beats leading into some massive sub bass and a haunting sustained synth line.chopped up vocals and dubbed out playful piano complete the sound

garagist salvatores recommendations for motoguzzis third and last release of the first 12 series. >my life for a moog< go down into your cellar. take your clothes off . blindfold yourself with a oil soaked cloth and then follow the hispanic snapper matador. he is the conductor who will guide you over the slippery floor. give him your eardrum. move your hips. feel loved.

hervorragender hüpfburgen techno für alle raver, die es elegant & stilvoll mögen. sieben perlen, die alle a-seiten qualität vorweisen!!

welcome back to the first thomas fehlmann solo record after the atomic the orb full length. fehlmann strikes dancers hearts with his laser and scalpel in hand. >the road< is a rocking shuffeld trip over the route 66 of techno !! >powdered< comes in the signature fehlmann style, the bside sets off with the dubby influenced >dusted< and the final track >pristine< goes totally off, directed right to your dancefloor overdrive..

wilko, aka, ignition technician, teams up with one of his regular co-partners in crime and fellow >player< producer, jon nuccle, to launch this new off-shoot label from the >player<, >pusher< & >pirate audio< stable of labels & producers !!!

this is so sweet.. detroit techno at its best !! i dont even try to describe it, just check it out. but dont forget the flip side. if chicago sound is your thing you can get one of the coolest chicago tracks in a long time. excellent track. the ep tops it off with a nice and dubby rhytm and sound kind of track

joel muells newest outing which fits perfectly into the profile of the renowned frankfurt imprint harthouse consits of two diametrical deep tech tracks that stand out of the crownd. the heavier and darker a-side delivers the power to set off into a long night full of surprises, while the flips spaced out deep tech grooves should get the crowd into a higher state of consciousness with its tricky arrangements..

the man from louisiana, water jones, with a blend of raw disco beats and catchy old-school electro licks. the first track >deuteronomy brown< is an italo style dancefloor bomb, bound to drag people off their seats. >the odyssey sound< has entirely been built by using just one synthesizer, the legendary arp odyssey !! the tracks version featured on this release has been cut-up, dubbed and streamlined for optimum performance by paul mogg and supersouls xaver naudascher

deepe betrachtungen auf die wirtschaftliche leidenszeit der musikindustrie. resultat ist eine mischung aus klangverliebter funktionalität á la modern love und gewohnter deepness- diesmal exklusiv für den dancefloor

hard-fi is probably one of the biggest bands to come out of the uk in the last two years. now there new single better do better has been reworked and given it a breath of fresh air from one of the uks most promising producers since chris lake ricsta has his own label stirfried and its hitting it off

already being played on pete tongs essential selection, >dont be shy< - kicks straight off with the >original< mix, an addictive, twangy disco anthem, loaded with flirtatious rhythms and hot-under-the- collar sexy grooves.. incl remixes by tugg, speakerjunk and george deimure

broken beat afro tech style!?but one thing is for sure this is a great sounding track with some nice funky pumping beats creating a central focus to the strings sounds and effect that are evident in the mix. certainly a very infectious and crowd pleasing record that will be on a lot pf playlists over the next few months. mod x as ever pushing the style boundaries and pulling it off in fine fashion!

stephen brown kicks-off the subject detroit global series with 2 detroit influenced songs straight outta scotland

ben sims ingoma label is now springing into life again after a break of a few months with a string of releases over the next few months. this new 4 tracker is the first of them being produced by new london based artist fase. the tracks are all in bens undeniable individual style with the a1 being the pick of the bunch with its carefully building groove and superb old school detroit influences being introduced gradually throughout the track. the a2 continues the theme with its off kick tribal rhythm with b1 really taking up the mantle with its mills influenced rolling groove before the b2 closes matters very expertly with a brilliant melodic tinged groover...

remember the infamous scene from the movie deliverance? the one with the retarded kid and the grown man going all out in a play off, an acoustic guitar vs a banjo… anyway, lindstrom finally got around to play & record the banjo he bought in nyc last summer. it takes time to practise & learn to play the banjo. lindstrom needed a year to make the simple banjo-lick used on >the contemporary fix<, the 9th feedelity release. you might think the use of banjo, autoharp & clavinet together with acid squiggles on top of live disco-drums is a most unusual combination? well, here s the soundtrack to deliverance 2006

no other than chilean sunnyboy and groove scientist luciano is taking us on the a-side on a long ride of lush but infectious minimalism. eleven minutes strong, luciano does what he does best and unfolds a continuous flow of subtle rhythmic changes, melodies and field recordings to create an overall hypnotic feel that sucks you in right from the start. think his last ep on cadenza with thomas melchior and add an eerie feel to it. on the flip side the enigmatic duo eat (both integrat parts of the diamonds and pearls family) steps up for some serious dancefloor destruction. what starts off as a pulsating acidic techno-monster that creeps up from the depths of a pile of analog synthesizers, turns into a breakbeat chopping electro-jam that will leave you behind with bleeding ears and thumping hearts, before the track jumps right back to techno peaktime.

back in stock !! ultraphat bangin chicago ghetto techno classics

this 12 kicks off with jam 2 tha mother,a track that has been doing the rounds for a while as a westpark unit track apparently. its a fairly nice hiphouse bumper.its all about miles though. the looped piano sample works wonderfully well with the straight deep disco beats. and while the original is good, the soulphiction remix is the icing on the cake. they give it a certain industrial/techy edge, and make the sample stand out even better. add to that some dope detroit beatdown bass licks and beats, and you ve got yourself a catchy tune

paris producers guillaume atlan (the supermen lovers) and gregory louis (aloud) have recently joined forces to form new act moto signed exclusively to cyclo records. taking their influences from 70s californian funk - rock bands and icons like stretch, chicago, prince, ac/dc, they develop a style of their own, adding a touch of electro to their live instruments (guitar, bass, vocals) to deliver sexy, uplifting tracks. >heartbreaker< their first single contains that genuine positive rock n roll attitude that will make you jump off your seat while driving a convertible car on a desert highway. >who cares< on the b-side in a more spaced out way but with that added 70s funk treatment will take you to the next lost motel where you may not find anyone but a dog to talk to. motos debut ep, have been selected as part of the soundtrack of eric lavaine new screenplay >poltergay< (out october 26th in france), a comic production where gay ghosts make the life of an ordinary, newly established couple quite difficult...

norway and no end….thank god!oslo based producer and dj thomas m. hermansen aka prins thomas is solely responsible for this new masterpiece on full pupp recordings and, my friends outside, fehrara is one of the most thrilling records of this years autumn season!the a side starts with this kind of very popular disco sound full pupp stands for…amazing!the flip brings us a deep and groovy neo-disco-acid tune, perfect track for a hot and never ending club night!epilog:after sunrise, nearly everybody decided - the audience were swept off their feet

anders trentemøller, the shooting star of 2005, needs no further introduction. he has been stringing together hit after hit, most recently the -nam nam ep- on poker flat which offered an initial insight into his upcoming album -the last resort-. now the new 12- brings the first full-blown single outtake. the featured album track is -always something better – a vocal version featuring richard davis - and has a calmer, almost dreamy mood compared to the club tracks he s released. an easy-going groove, some wonderful celesta chords (hand-played by anders) and the typical trentemøller sound melt with the outstanding vocals by richard davis, who already graced swayzak s -speak easy- on k7. furthermore, davis is known for his longplayers on punkt musik and kitty-yo as well as an array of singles and remixes.a brilliant track with a beautiful atmosphere.of course the a1 slot is reserved for the -trentemøller remix-, a true dancefloor anthem. a kicking bass drum, quirky sounds and the -trentemøller twist- make this a real summer hit. while the a1 mix is a reduced vocal version, you ll find the -dub mix- on b1. to top things off, the one and only matthew herbert contributes his very own interpretation on the -bubble mix-. he disrupts and rearranges the original sounds and song structures to create a new unsettled, but fascinating soundscape

2nd installment from the beginerz camp - here teaming up with phil drummond for >money shot<, anenergetic club thumper thats been raising more than a few roofs off

nice price deal !!! one of the strongest sinister releases to date. deep, phat, bottom end booty shakin nonsense with some twisted electronica madness riding the ridums. pounding beats, glorious riff action and stuttered vocal edits all embrace in perfect production harmony that collectively make an essential dancefloor purchase.spectrometer on the flip sees the beats sharpen up and the dynamics take on a techbreaks formula.spectrometer drives harsher forever building the acidic layers. atmospherics fill the drop out before a solid wall off full force tech frequencies launches skyward maximising dancefloor obliteration.

stephen verhackstückelt gerne & viel. jedes geräusch ist ein potentielles instrument. das kann man cut-up nennen, aber wir bevorzugen doch >energetischer sound-reigen voller ideen< mit einer kickdrum die laub von bäumen schütteln kann. tolle spassplatte

cool electro three tracker on david carretta s label >space factory< !!

archipels brand new sublabel brings you its second weirded out slab of wax with uli kunkels singing with rod. uli kunkel,however,is not one single artist. it is comprised of lee curtiss, maayan nidam (miss fitz) and shaun reeves.the record starts off with leethophobia which is an hypnotic breaks like piece of dark insanity laced drughouse very much inspired by the perlonian sounds which have been coming from germany as of late.drugpigs is fat, wobbly, and just as hypnotising as leethophobia and commands that the freaks come out to dance from the shadows of strange early morning corridoors.the flip takes a more direct approach and is fiercely lead by arrival which is an hypnotic take on dancefloor drive influenced tracks and is laced with clever edits and lysergic percussion.sing like rod is a totally weirded out and just as lysergic early morning rhythmic smoothy. kalimari is set to release quality weirdness and here it stands tall from the rest.

inc. mikael stavöstrand rmx sunset diskos – the deep and funky minimal techno label from mikael stavöstrand. presents it second release with a four tracker from our man in los angeles. a bit different from what you usually hear from this guy but for sure funky and chrunchy. starts off with a minimal, deep and clever melodic piece >its in the eyes< , evolving as slowly as it should .. into the next step with a bit deeper touch >in charge<. the flip side continues with >about to be< pushing the groove to the max before we find mikael stavöstrand taking >in charge< forward into deep minimal techno terrains including lots of small crunchy rythms , deep vocals and a serious groove. apendics.shuffle – aka. kenneth james gibson, a man of many personas. keeping up with him can be a time consuming, yet rewarding venture into sound

with a distinctive wonky hookline and fat dubby bassline, >unde< by italy s duoteque rolls along lazily as the third track of the sampler. differing from a lot of their earlier productions, this ep shows how versatile this outfit can be as this track really shows off their summer feel. second on the second sampler is another new hot producer from south america, seph. label support from luciano, craig richards, magda, troy pierce, kiki, matthew dear, lee burridge, ralph lawson, paul woolford and many more...

berlin team of dave shokh and holgi star are back with a cool house long player for the masses. remix courtest of the ultra hot agaric (we are, aka patrik skoog) begin with gathered clicking percussion built with high pitched stabs and reversed flicks. lirum builds ontop of itself as the snare punctuates the groove as the bell rises. a galloping invasion of sounds going from your brain wide into your feet. you will dance and feel good. yes. agaric does not hold back. the funk is dripping. a rolling tight groove filled to the top with hits and drum flips. just wait as he teases before the bassline appears and off we go. madness for the dancefloor?!? for certain!

hats off to kinky vinyl for ferreting out this super large slab of peak time house action. it certainly sounds like nothing else in our boxes at the moment and is guaranteed to have an army of >spotters< rushing to the decks as it explodes from the speakers!